Did Jack Webb Hate Children?

I am like the Jehovah's Witness of Adam-12.

I am constantly spreading the word about Adam-12, telling everyone I know what a great show it is, how much I love it, and trying to convince everyone that they should watch it. Sometimes it works and I can persuade someone to watch at least a few episodes.  

I recently convinced one of my friends to give the show a try. After watching the first 2 episodes my newest convert asked me if the creator of the show hated children. I can understand why she would think that since Baby Gladys almost dies in episode 1 and those two boys in episode 2 get very sick after getting into their mother's stash of narcotics. I responded to her question by telling her that I thought Jack Webb was just trying to show the viewers that police officers not only arrested people but also helped people. But now, after watching the first seven episodes in more detail I am beginning to wonder if maybe she was on to something. Almost every episode features at least one child in some sort of life-threatening danger.

In case you don't remember:

Baby Gladys almost died in episode 1. Malloy saved her.

In episode 2, this boy...

and his brother got sick after getting into their mother's stash. 

This baby was held hostage by a madman with a gun in episode 3. Malloy saved this baby, too.

In episode 4 Malloy found the missing Mark Bussey in the basement watching his pet cat give birth. Mark was fine, but his mother did say she was going to kill him.

Malloy is happy because no children were in danger during episode 5.

In episode 6 baby Hannah was thrown from her mother's car when it crashed.

In episode 7 Reed had to perform CPR on Cissy after she fell in the pool

 In spite of all this evidence, I don't believe that Jack Webb hated children. After all, he did not write all of these episodes and I've never read anything about Jack suggesting that he hated children. Does this look like a man who hated children? I don't think so.
                             

See you next time! KMA-367

Log 71: I Feel Like a Fool, Malloy (Episode 7, Season 1)

Episode 7

I am very excited to bring you my thoughts on episode 7, which is one of my favorites. I like the first 15 minutes and 18 seconds of this episode, I love the last 9 minutes and 19 seconds. The last call turns the episode around and takes it in a completely different direction. 

But, before we get into this episode, let's talk about the title. From what I've read the episodes in the first  3 seasons were only identified by the log numbers during the initial run of the show.  Somewhere along the line (maybe when the show was sold to syndication, maybe when they packaged the episodes on DVD) the descriptive portions of the titles were added.  Most of these titles make sense, they relate to the action in the episode or they are taken from the dialogue. The title for episode 7 does not make any sense to me, though. I would imagine that Reed would be the "I" in this title. Who else would call Malloy "Malloy"? A citizen would be more likely to call him "Officer".  But Reed does not utter the line "I feel like a fool, Malloy". Nor does he do anything foolish in the episode. Several people do foolish things in the episode, but I don't think any of them are significant enough to base the title on. If anyone has any insight on this, please let me know. I am at a loss here.

OK, let's get this party started!

Our story starts with Malloy and other officers getting the keys to their patrol cars. They are all having a giggle at the Sergeant's expense. (Is he the "fool" in the title?) 

The Sergeant picked up this shiner during a family dispute. The wife hit him.

This is Malloy trying not to laugh at the Sergeant. He tells the Sarge that maybe he should have handcuffed the wife instead of the husband.

I would love to find one of these cases that the LAPD used for the helmets. I think it would make a great purse.

Time to roll!

In the car, Reed tells Malloy what he and Jean did during his day off yesterday. They painted the bathroom and "had a ball". Malloy is not impressed with Reed's tale of domestic merriment.

"You're putting me on."

 Malloy's state of disbelief is interrupted by a code 2 radio call for a fight at 2742 Melrose. Get ready for the dueling gurus!

The building may be all Love and Peace, but the occupants are not.

Let's dance!

These gurus have names, but we'll just call them "Yellow" and "Purple". Malloy will question Yellow and Reed will question Purple.

Malloy asks Yellow how this got started. Purple jumps in and answers. Malloy gives him the dead-pan of disbelief.

Malloy believes these two can work it out. He suggests that they stagger their meditations or "whatever it is you do" so that Purple's bongos don't interfere with Yellow's silent meditation.

 Then these two colorful characters start fighting about who loves who more. Until Purple insults Yellow by telling him that he doesn't know the meaning of the word love.

I'll show you what love is!

Malloy rushes to Purple's aid and he tells Malloy that he now appreciates a cop's role in society.

"Somebody's got to protect us from the rest of those kooks."

Yellow thinks he means Reed and other kooks who paint bathrooms for fun.

I have oftener wondered about this fight scene. Since Adam-12 is based on real incidents, in real life was this really a fight between two gurus? Or are these guru characters substitutes for a gay male couple? This call feels like a domestic dispute more than anything else.

Back on the street, a red Mustang goes around Adam-12 at a stop light and thus begins a high speed chase.

This is how the chase ends.

This is the driver of the speeding Mustang. When she pops out of the car Reed and Malloy put their guns back in their holsters, which is both foolish and sexist on their parts! How do they know she is not packing heat? Did they know they were being sexist? Was sexist a word in 1968?

Malloy tells Reed, "Put out a four, Reed. I think we can handle this." A "four" is a code 4, which means no further units need respond, return to patrol.

This Racquel Welch look-a-like thinks their little chase was "fun" and that cops have "no sense of humor". Malloy takes her to the station to continue the game.

Here's another game: see who holds more purses during the entire run of Adam-12, Reed or Malloy. (I'll give you a hint, the answer is Malloy. This is like 1 of a million incidents where he is seen with a purse.)

 Next call is a 211 silent (armed hold-up, silent alarm) at 895 Cordoba, code 3. When they arrive at the scene, the suspects are racing out of the building and the store owner is shouting, "Shoot 'em,  kill 'em!".

Reed and Malloy corner the suspects. They do not shoot or kill them.

The owner tells Malloy what happened in his store. The suspects never showed him a weapon or tried to steal anything, they only "busted up the store".

Malloy tells the owner that he is only supposed to use a silent alarm for armed robbery. He will have to report the owner. I bet the owner feels like a fool! Malloy then tells the owner that the kids could be dead now if Reed had listened to him.

Reed only listen to Malloy, not listen to man in polka dot shirt.

Up to this point this episode has been pretty light fare. A goofy fight call, a high-speed chase, a liquor store (almost) robbery, lots of Reed jabbering in the car. When we next see the boys it is dark outside. Soon the mood of the episode will match the sky. 

Before they get the call that will change the tone of the night, Malloy asks Reed why he didn't fire at the 211 suspects. Reed tells Malloy that "it didn't figure", based on his observations of the situation Reed did not think that the suspects had a weapon. Malloy tells him, "You may just earn that badge, yet." I don't think Reed is feeling like a fool after a compliment like that.

It all starts with a call telling them to see the woman at 927 Regna about a loud party.

This is the woman at 927 Regna, Mrs. Stockton, she is complaining about the loud music coming from her neighbor's house. She also thinks the babysitter at the house with the loud music is insane. The babysitter was banging on her door 15 minutes ago. Mrs. Stockton did not answer the door.

Malloy tries the neighbor's door and gets no response.

Reed checks the back and hears the babysitter calling for help and begging, "Please get her". The white light is his flashlight reflecting off of the swimming pool. I love the way this scene is shot. The darkness, the loud music add to the tension of the situation.

Jim jumps in the pool to rescue the babysitter's charge.

Malloy radios for an ambulance for a possible drowning.

After pulling the girl from the pool, Reed performs CPR and Malloy tells the babysitter to get some blankets. She just keeps repeating, "I don't know how to swim". Malloy finally rouses the babysitter to her feet and she goes inside. Reed continues CPR, but tells Malloy, "it doesn't look good".

The babysitter returns with blankets. While inside the house, she turned off the music. The music is replaced with the sound of crickets, her sobbing, and the wail of the ambulance siren. The babysitter tells Malloy how the girl ran outside, she tried to get help but nobody would come.

After the ambulance takes Cissy away the babysitter tells them how she saw her fall in the pool.

Mrs. Stockton appears to comfort Karen. This makes me really mad, why didn't Mrs. Stockton help her before? Does she only show up to help when someone is watching?
Mrs. Stockton takes Karen away and Malloy leaves to track down Cissy's mother.

As Malloy leaves Reed calls out, "Malloy, she says she was glad we got here fast. I wonder if we were in time."

Before they leave the scene Malloy tells Reed that the mother has been located, at a party, and a friend is driving her to the hospital. Reed tells Malloy that he doesn't think Cissy will make it. Malloy's response is delivered with sadness and a touch of disgust.

"People die everyday, ADW, hit and run, murder. Most of the time we're involved. Somehow you learn to live with it. But, I'll tell you something, when it happens to a child, you never get used to it."

The ending is so beautiful. This last shot feels so intimate, you feel as if you are in the car with these two usually-tough policeman as they discuss the tragic aspects of their job.

I love this episode and I give it a rating of "Malloy: the best". I won't post my goofy report card. I don't want to ruin the beauty of the final scene.

See you next time, KMA-367.

Log 161: And You Want Me to Get Married? (Episode 6, Season 1)

Episode 6

We learn about Reed and Malloy's differing attitudes regarding marriage while they respond to a burglary call, handle a domestic situation, and rescue the victims of an auto accident.

The episode begins with Malloy complaining about Donna, one of the girls in his harem. Seems Malloy brought Donna to dinner at the Reed's and "now she's making noises like she wants to get married".

That Los Angeles traffic looks as bad as I've heard it is. 

Look at the size of Malloy's thumb!

Before Malloy can rant too extensively about how the Reeds have ruined his casual relationship with Donna, they get a 211 call at 917 North Main Street. Malloy immediately recognizes the address as Marty's liquor store.

-1-Adam-12 requesting Code 7 at the Dairy Queen, 915 North Main.
-1-Adam-12, OK-7.

I thought they were going to Marty's. This is Dave Berg's Liquor.

I'm not a big drinker, so I haven't spent much time in liquor stores; but this store seems very well stocked.

This is Marty. His liquor store has been robbed 4 times in the past 6 months. It's in a dandy location, right next to the freeway. Convenient for all of your entertaining, robbing, and escaping needs.

Pete questions Marty about the latest hold-up.

Jim holds up his hat.

Pete wishes he were at the DQ eating a Dilly Bar.

Marty samples the merchandise, Pete scratches his face, Jim plays tic-tac-toe.

Back on the road, Malloy lays the blame for Donna's desire to get married at Jim's doorstep. Ever since their evening with the Reeds, all Donna can talk about is the Reeds' house and how good Jean looks "with the baby coming on" and the layette they are putting together and how happy Jim and Jean are. Malloy does not want to talk to about layettes when he takes a girl out.

Look, I don't wanna hear about layettes when I am trying to get laid. Capisce?

I guess I should point out that Reed and Malloy have not been in their usual patrol area in this episode. They are in the hills on the lookout for wildfires. As they are driving, a motorist flags them down to tell them about a car that went off the road.

Malloy calls for back-up while Reed goes to investigate the scene. (FTO rule 1: send the rookie into danger first!)

The car is leaking gas!

The driver is pinned under the car.

FTO rule #2: The rookie is younger and stronger, let him try to push the vehicle off of the accident victim. 

More from the FTO rule book: If your rookie can't move a car by himself, you may help apply leverage. However, let him do most of the work. Remember, the rookie is the "brawn" of this partnership and you are the "brains".  As the FTO you can not risk getting a blister, that would make driving the car awkward and uncomfortable.

Reed finds a baby seat in the car. Malloy asks the victim, "Lady, hey lady. Was there a baby in the car?"

After a search of the area, Reed finds the baby.

After a quick trip to the station where Mac gives the boys an update on the condition of the mother and baby. Reed and Malloy are back in the car debating the merits of bachelorhood and marriage.

Malloy got a blister. Which is bad for him but good for us, we get treated to this great view of  his freckled mitt.
Reed: "What've you got against Donna?"
Malloy:"You're pushing that girl like she was your ugly sister. Ease up, will 'ya!"
Malloy goes on to say that he likes "getting acquainted with someone new" and going to different places. 

Reed tells Malloy very seriously that home and family is where the satisfaction is.

They then get another 211 call at Marty's! He has been held up twice in 3 hours!
The dispatcher gives a description of the suspect and Adam-12 take off to search for him.

They find the suspect. Malloy knew he was carrying a gun because his shirt was un-tucked. Somehow, I don't think this theory would work today. If 1968 Malloy were dropped into 2014, he would think that everyone was carrying a gun.

I bet this guy feels like a real what-the-sign-says.

Whew! Catching bad guys makes a cop hungry, it's time for 7 at Biff's.

Malloy's review of Biffs: "Good food we can get anywhere, they've got cute waitresses!"

Uh, Pete, I'm supposed to ask you to come to dinner on Thursday. We want to make it a foursome. You don't have to bring Donna. 

"What have you got in mind for me? Total destruction?" 

Before Reed can answer that, they are called to a disturbance at 10724 Grand View Drive, home of the Whitley's. Their neighbor has called the cops because of  the noise coming from the Whitley's home. 

First Malloy tries the doorbell. No answer.

Then he bangs on the door. No answer.

Malloy peers through the open window and sees Mr. Whitley listening to records, at a very high volume.

Malloy shouts at Mr. Whitley through the window and finally gets a response.

Mrs. Whitley may look hella cute in her pink on pink outfit and live in this fantastic house with mod flower art and kicky orange chairs and built in bookcases, but she is pissed. She is not happy because she also has to work to help support herself and her husband.  All she wanted to do was watch TV after a long day of work. It's hard to empathize with her in 2014.

Also what's up with the drapery in the entry to this room. It seems like every house on Dragnet or Adam-12 has drapes to close off a room. Did people really do this in the '60's and '70's?

Anyway, the whole thing started when Mrs. Whitley threw hot grease at Mr. Whitley.  Reed suggests that he leave the house until things cool off. 

As Reed and Malloy leave, they see Mr. Whitley has followed Reed's suggestion.

"And you want me to get married?!" 

Reed, I'm a happy bachelor...

Here's what I like about this episode, the glimpse into Malloy's philosophy on bachelorhood and Reed's feelings about marriage. Since we mostly see Reed and Malloy on the job, I love any mention of their personal lives and thoughts.

  

I also really love the locations in the episode. A real 1960's liquor store! And what a liquor store! Real L.A. streets! I love everything about the Whitley's house, it even has a card table set up as permanent piece of furniture just like my grandparents' house.

I'm going to give this episode a rating of:

Do you agree?

See you next time! KMA-367